![]() ![]() 1409đ918/1920īach-Busoni Organ Toccata D Minor Piano SoloĚssociated Music PublishersĞd. Schubert Symphony in B Minor Piano, 2 hands & 4 Hands Schirmer's Library Vol. ![]() Short Preludes & Fugues Schirmer's Library Vol. Piano Works, 6 English Suites Universal Edition, Vienna Vol. Well-Tempered Clavichord for the Piano Schirmer's Library Vol. E etc.Ğarly Piano ClassicsĜarl Fischer Inc. Partitas for the Piano Book II Schirmer's Library Vol. Sonatas & Suites for Violin & Violoncello transcribed for PianoĜarl Fischer Inc. Mendelssohn Songs Without Words Schirmer's Library Vol. List follows, hope it shows okay on message board. And some including one personally given by Alexander Sklarevski, who was one of her teachers. Boyle (appears to have been some connection as I also have things what appears to be a hand-written score by him. Mainly well-known comosers, but some unknown to me like George F. #Sheet music collector forum full#I just went through part of 1 of the 2 boxes I have here - about another box full still at her place. If they're of low value, I'd be happy to donate to a good home, whether that's a university or music school or an individual who would value them, preferably being reimbursed for shipping. If there's anything of extraordinary value, I need to know as I have a responsibility to her other heirs. I haven't found much comparable on eBay, and stores here in Maine don't seem to have much interest. Perhaps you might like to post what you're studying at the moment and to what end, pianojerome? I can understand that a musicologist might be interested in studying Moscheles' editions of Beethoven, Riemann's of Haydn or Czerny's of Bach, but what about Buonamici's, Franklin Taylor's or Orlando Morgan's.are they really of interest, too? Many of the scores that I've been studying lately came exactly from people like you, who didn't necessarily know how invaluable their collections would be to scholars like me. Remember, also, that if someone just wants to play Beethoven, they can get a perfectly good modern printing - why do they need one from 1900? Those scores from 1900 are the ones that are most valued in a library. There is ALWAYS someone who will be interested, and that person will be more likely to find it through a library than through eBay or a private collection. I'm sure that a library might be interested - perhaps at a music school / university.Īs a musicologist (who is currently studying many old, crumbling scores), I can tell you that there are people who would be very interested in studying what you have - and the music will be much more valued and accessible in a library than they will in someone's private collection.ĭon't assume that no-one is interested if all you have is the standard Beethoven, Bach, etc. ![]()
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